Metal Sculptures

Made in the Spain, 2024. A simple form builds a complex one. In our approach, we go from the opposite, representing complex things in simple forms. So, our bear consists of only 9 si...

Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in Spain, Europe and the USA). He has got works of art in...

Made in the Spain, 2024. A simple form builds a complex one. In our approach, we go from the opposite, representing complex things in simple forms. So, our bear consists of only 9 si...

Made in the Spain, 2024. A simple form builds a complex one. In our approach, we go from the opposite, representing complex things in simple forms. So, our bear consists of only 9 si...

Made in the Spain, 2024. A simple form builds a complex one. In our approach, we go from the opposite, representing complex things in simple forms. So, our bear consists of only 9 si...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era. Excellent condition. Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...

Made in the Spain, 2024. A simple form builds a complex one. In our approach, we go from the opposite, representing complex things in simple forms. So, our bear consists of only 9 si...

"Dadap" is an abstract sculpture made by Frank Stella in 2002, composed of stainless steel and aluminum. The artwork size is 66 1/2 x 50 1/4 x 19 inches. This work is a part of Stel...

Made in Spain, 2023. A simple form builds a complex one. In our approach, we go from the opposite, representing complex things in simple forms. So, our deer consists of simple steel...

Enhance Your Home with the Magenta Heart: A Stunning Abstract Heart Sculpture Love, Abstraction, Fine Art - "Magenta Heart" is a captivating abstract heart sculpture, perfect for ar...

Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumentsal version of this in Rabin Square in th...

Duayne Hattchett ((1925-2015). Banner, 1958. Welded metal, sculpture measures 11 h. x 9 w. x 3.75 d. inches. Measuring a total of 17.5 inch high on base. Base measures 5.5 x 5.5 by 6...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

I am usually not thinking so much about a finished work, but am inspired, accepting and mystified by the process of creating it. I see each of my works as a rehearsal in enduring un...

TOTEM - Brass (2023) ​ MATERIAL Brass (brushed) / Volcanic stone ​ DIMENSIONS 25 x 15 x 15 cm Presented at Design Week Mexico 2023 Signed About the Artist José Luis Meyer (1981)...

Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...

“Woman” is a Stainless Steel Sculpture by the artist Marian Owczarski. It measures approximately 15 x 8.5 x 6 inches. The date of creation is unknown,...

Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in Spain, Europe and the USA). He has got works of art in...

Sculpture, 1990 Handsigned by the artist in pencil Compression of capsules and wires Unique work of a series in 500 different copies Depth: 2.30 cm A modestly sized compression of ...

Jim Miller-Melberg (1929 - 2017) was a mid-century industrial designer and sculptor known for his ubiquitous playground sculptures. Jim studied at the University of Michigan, Cranbrook Academy of Art in Bloomfield Hills...

Susan Hable is inspired by the work of David Hockney, Milton Avery, Henri Matisse, Alex Katz, Howard Hodgkins, Hilma af Klint, Georgia O'Keeffe, Barbara Hepworth and Constantin Brâncuși. With humor and a bit of mischief, Susan Hable’s “Don't Pick The Flowers!” is a body of work that is at once a refuge and a playground. Inspired by her sumptuous garden just outside of her Athens studio, Susan flows from one medium to the next from painting to collage to sculpture. Susan sees her garden as a place for adventure and daydreaming, challenging her perceptions of what her Art can be. Even a weedy ground cover has caught Susan’s eye, an overlooked invasive is seen in a new light becoming a dreamlike fairytale path. Her work asks us to engage in life, go for a walk and play. Susan Hable Smith is the artist and designer behind the boldly colored and hand drawn patterns of Hable Construction...

Hitromemut (Uprise) Beautiful large sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumental version of this in front of the Habima Theater, Israel's National Theatre in the heart of Tel Aviv. this is from the small edition of 10. The elements of this work, are balanced on top, in opposition to its construction. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he remained until 1972. He had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). In 1995, he began painting portraits of sheep. These instantly-recognizable sheep portraits...

Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an ...

Artist Commentary: The piece was originally commissioned by a son for his mother. Her property in Mont Tremlant, Canada was an ideal setting for this piece. Truly a piece of sculpt...

This abstract metal sculpture by Howard Lewis is made from a solid bar of recycled steel. It has been cut, shaped, polished and "carved" with abrasives and intense heat revealing a v...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Abstract sculpture by American artist, Jack Youngerman (b.1926). Nexus, 1990. 24.5 inches. Aluminum, numbered 2/3. Signed and numbered on base. 1926 Born, St. Louis, Missouri; moved with family to Louisville, Kentucky in 1929 1943-44; 1946-47 Attended University of Missouri 1944-46 U.S. Navy, University of North Carolina 1947-49 Ecole des Beaux-Arts, Paris 1949-55 Lived and worked in Paris 1956 Returned to the United States; lived in New York City 1956-1995 1995-current Resides in Bridgehampton, New York ONE MAN EXHIBITIONS: 1951 Galerie Arnaud, Paris 1958 Betty Parsons Gallery, New York (1960, 1961, 1964, 1967, 1968) 1959 Museum of Modern Art, New York, "Sixteen Americans" 1962 Galerie Lawrence, Paris (also 1965) 1963 Galeria dell' Ariete, Milan Everett Ellen Gallery, Los Angeles, California The Phillips Collection, Washington, D. C. 1971 Pace Gallery, New York (also 1972, 1975) 1972 Portland Center for the Arts, Oregon Seattle Art Museum, Washington 1973 The Arts Club of Chicago, Illinois Galerie Denise Rene, Paris 1975 Hopkins Center, Dartmouth College, Hanover, New Hampshire 1976 Parrish Art Museum, Southampton, New York 1981 Washburn Gallery...

Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...

Made in Ukraine, 2020. Black. Minimalistic. Abstract. Spheres: from molecules to planets. Look around: mono sphere or billions of small combinations o...

Made in Ukraine, 2020. Meet this big interior golden flowers sculpture. Location and Delivery from: Ukraine Authors: Created by Rostyslav Kozhman a...

Welded, brazed sculpture on wooden base This is not signed or dated This work is unsigned. We were told it was the work of Seymour Lipton but as there is further documentation we are selling it as attributed and cannot guarantee it as such. Seymour Lipton (1903 – 1986) was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. He initially trained as a dentist, like fellow sculptor Herbert Ferber, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. His early choices of medium changed from wood to lead and then to bronze, and he is best known for his work in metal. Like his contemporary, Abstract Expressionist Jackson Pollock, and Arshile Gorky Lipton was influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture. The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. He made several technical innovations, including brazing nickel silver rods onto sheets of Monel to create rust resistant forms. Seymour Lipton is best known for his textured torch welded metal sculptures...

Untitled Steel Mesh I 2012, Jin-Sook So, steel mesh, painted, electroplated silver and gold leaf, 31.5" x 52.75" x 6.25", 2012. This abstract geometric wall sculpture was done by fi...

This is a bronze cast sculpture by Philip Pavia is part of his series of "Imaginary Portraits from the Club" , a one-man exhibition at Max Protetch Gallery, New York in 1982. The approach at rendering the figure is grotesque, and the facial features have been severely distorted to the point were the portrait becomes an abstract interpretation of the subject. As an artist and writer, Philip Pavia was a committed member of the Abstract Art community throughout his long, distinguished career. Pavia was active in the art world until his death in 2005 and received immense critical praise for his artistic and literary contributions. Recognized for his signature work The Ides of March...

"Prières et Rituels dans L'émerveillement" is a surrealist metal sculpture made of stainless steel & bronze with patina. This boat, branch, ladder sculpture...

The mirrored surfaces of the stainless steel Maldonado work of art, reflect the world around. Maldonado's artistic research has an ethological matrix: a sign as a kind of pre-Incan g...

Made in Ukraine, 2020. Pure symbolism and collaboration of brutal steel and white nature stone marble make this series of sculptures ideal for table o...

Geometric Abstract Contemporary Paper and Metal Sculpture. 29.5"W x 37"H x 2", unframed Folder paper and metal create depth and reflect light. Origami, Modern, Optical Illusion, Mi...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...

As an artist and writer, Philip Pavia was a committed member of the Abstract Art community throughout his long, distinguished career. Pavia was active in the art world until his death in 2005 and received immense critical praise for his artistic and literary contributions. Recognized for his signature work The Ides of March, he produced monumental pieces that alternated between figurative and abstract styles. While he was a dedicated sculptor, Pavia extended that passion into writing and published It is: A Magazine for Abstract Art. Born in 1911 of Provencal-Italian descent, the Stratford, Connecticut native received early inspiration from his father, a professional stone cutter. Pavia's sculptures are characterized by rough, chiseled bronze and marble, his father's trade was no doubt a significant influence. In fact, by 1934, his father was so enthusiastic about his son's passion that he encouraged young Philip to study at the Academia delle Belle Arti in Florence, Italy. Before his studies in Europe, Pavia was briefly a student at Yale University but quickly dropped out and enrolled at New York's Art Student League. While attending school, he befriended artists Jackson Pollock and Arshile Gorky. All three were to become major players of the vibrant new Abstract Art movement. At his father's advice, Pavia embarked on his European experience and was introduced to other influential artists of his time. Traveling between Italy and Paris, Pavia met John Ferren...

"What Remains" Cast bronze with patina, 1985. Cast at Johnson Atelier, Hamilton NJ Exhibited at Guggenheim Museum 1985 Provenance: Sold through Grace Borgenicht Gallery, NY The second photo is the picture in the catalogue. I received it from the artist. I do not have the catalogue available. Studio handcrafted solid cast bronze Biomorphic shell wall sculpture. Abstract exoskeleton theme. This is a corner piece as can be seen in the catalogue photo (we do not have the catalogue). To be mounted on left side wall of corner, piece reached across to right side across corner (as per artists instructions). Phoebe Adams is an American female Post War & Contemporary artist who was born in 1953. Their work was featured in several exhibitions at key galleries and museums, including the Locks Gallery and the David Richard Gallery, New York. Phoebe Adams has been featured in articles for the ARTFORUM and the "New York Times". Phoebe Adams has emerged as one of the Philadelphia area's most prominent artists and has also achieved national recognition. Her unique cast bronze sculptures, to which she occasionally adds copper and wood, are rooted in physiological phenomena, appearing by turns archeological and anatomical. They derive from the tradition of biomorphism as pioneered by Jean Arp, Joan Miro and, more recently, Louise Bourgeois. Adams' sculptures evoke a wide range of associations with organic processes such as fossilization and decomposition and with natural forms such as shells, ammonites, human organs and bones, crustacean appendages, pods and cocoons. In her oeuvre images of growth and transformation are metaphors for psychic processes: the manner in which ideas grow, turn in on themselves and give birth to new thoughts. Her work has the organic aesthetic qualities found in the work of Michele Oka Doner, Lynda Benglis and Nancy Graves. Her work was included in the fourteenth International Sculpture Conference in Philadelphia, 1992. Featuring works by Phoebe Adams, Anthony Caro, John Chamberlain, Mark Di Suvero, Joel Fisher...

This is an artwork created by the well known Italian artist Carmelo Cappello. It is a multiple, an Abstract Sculpture one of the identical 99 specimen edited in 1978. This piece is ...

Marcus Centmayer - "Kinetic Series - The Pendulum 01/23". "The Pendulum" kinetic sculpture made of steel, cut, welded, brushed. Using small iron (= railway fittings) that the artist...

Untitled 05, 2016 Mixed media on metal sheet (Signed on reverse) 69,78 H × 39,98 W x 12,6 D in 177 H × 99 W x 32 D cm Berszán’s black silicone structures arise through a process of ...

This gold color patinated bronze sculpture is made by Lino Tinè a contemporary abstract sculptor that lives and works in Milan, Italy. The sculpture expresse...

This artwork is composed by two single cubes simply juxtaposed, as the original artist project present in our Gallery Archive. Unique signed piece.

Susan Hable is inspired by the work of David Hockney, Milton Avery, Henri Matisse, Alex Katz, Howard Hodgkins, Hilma af Klint, Georgia O'Keeffe, Barbara Hepworth and Constantin Brâncuși. With humor and a bit of mischief, Susan Hable’s “Don't Pick The Flowers!” is a body of work that is at once a refuge and a playground. Inspired by her sumptuous garden just outside of her Athens studio, Susan flows from one medium to the next from painting to collage to sculpture. Susan sees her garden as a place for adventure and daydreaming, challenging her perceptions of what her Art can be. Even a weedy ground cover has caught Susan’s eye, an overlooked invasive is seen in a new light becoming a dreamlike fairytale path. Her work asks us to engage in life, go for a walk and play. Susan Hable Smith is the artist and designer behind the boldly colored and hand drawn patterns of Hable Construction...

Minimalist, abstract geometric standing sculpture in dark brown oxidized steel "Some Guy #2" by Joe Wheaton, made in 2005 oxidized steel, 80 x 17.5 x 15 inches Freestanding sculpture...

This artwork is a cast patinated bronze and brass panel. This artist was present at the Biennale of Venice with his architectural artworks. He h...

Artist Commentary: Currently being shown on the Sedgewood Club golf course. The Sedgewood Club is a warm community in the Hudson Valley of NYS. Many NY families have multiple genera...

Geometric Abstract Contemporary Paper and Metal Sculpture. 29.5"W x 37"H x 2", unframed Folder paper and metal create depth and reflect light. Origami, Modern, Optical Illusion, Mi...

Untitled 02, 2016 Mixed media on metal sheet (Signed on reverse) 70,87 H × 39,37 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of ...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

This is an intense bronze abstract sculpture and it was created by the Italian artist Andrea Picini. The artwork is hand made by the technic of the ...

Made in Ukraine, 2020. Black. Minimalistic. Abstract. Spheres: from molecules to planets. Look around: mono sphere or billions of small combinations o...

Artist Commentary: Split Brain of a Female Warrior is one of my first pieces I made with sheet metal. It's 2D and lies flat on a canvas. This piece depi...

"With Child" is a edition bronzes sculpture by Paul Braslow. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium of figurativ...

Sculpted BY AGUSTINA BOTTONI Hand-Sculpted in Italy Materials: solid brass with satin fnish - base in black Marquina or white Carrara marble Dimensions: 185 cm x 50 cm / 73’’ x 19,6’...

Untitled 03, 2016 Mixed media on metal sheet Signed on reverse 70,8 H × 39,4 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of etch...